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Showing posts with label Second thoughts. Show all posts
Showing posts with label Second thoughts. Show all posts

Sunday, September 9, 2018

Just past the silence (Second Thoughts on "Ephphatha" - B23O)

Open up.
Break out.
Snap out of it.
Fly.
We’re here to help:
Ephphatha.

Say something.
Don't just sit there.
No one's stopping you now.
Take a stand, say it.
I'm listening. We're listening.
Don't be afraid.

Listen to me.
Listen to the earth.
Listen for the birdsong, the breeze.
Hear the beggar’s plea,
The baby’s cry,
The choir, the traffic.
Let it all in.
Don't cover your ears,
Snap out of it.
We’re with you.
Listen.

Unfold. Bend. Reach up.
Open up.
Break out.
Open a window, open a door.
Scale a wall,
Break down a wall.
Prophesy to the wall.
Connect.
Touch me, take the outstretched hands,
Hold on.

Ephphatha.
Stretch. Walk. Run. Reach.
Listen to the word,
then speak it.
We’re with you. Be the echo.

Don't be afraid.
Ephphatha.
Hear me. Say after me,
Open up.
Break out.
Come along, call the rest.
It's gonna be OK.
We're going somewhere new
Just

past

the silence. Let's go. Open up,
Listen. Say it.
Ephphatha. 

(Allelu

Tuesday, August 7, 2018

"Simplify" - not as easy as I thought (revisiting We Will Serve the Lord, 1986)

 I started writing music in high school, but really practiced more and did better work when I was in college, of course. As a young man, even before high school, I had learned guitar next door at my grandfather's house. Grandpa Russ was a trumpet player in his youth, but as far as I know, hadn't taken his horn out of the closet since the time of the czars. But he was always a musical wannabe, and had an electronic chord organ in one corner of his living room, probably purchased from my grandmother's employer, Montgomery Ward & Company, and an inexpensive guitar that he tried to play as well. Probably the Beatles and the Beachboys got me interested, so I used to ask him to borrow his guitar and sat there trying to learn chords from charts. I had singing down well enough that I got the idea about what was supposed to happen with the guitar, but it took me some time, and the first song I learned to play was "Red River Valley," and I never looked back. I had all the chords I would need to play Kumbaya, Sons of God, and all the other church songs that got popular.

I would also play the old piano that my parents had bought so that my sister Cathy could take piano lessons. When Cathy wasn't practicing, which was most of the time, the books were still there, all those books that everyone learned to play from in the 60s (was it Schirmer?) and since I was beginning to understand the relationship between the dots on the paper and the scale notes and piano keys (I had already absorbed the basics of this on guitar as well), I started trying to play piano too. As you can guess from my playing today, I never practiced as much as I should have, but I didn't have a teacher or parent threatening me with extinction (or worse) if I didn't practice. So I kept loving music as a mystery instead of as a pile of rocks I had to carry up a mountain.

As I got into high school and then college (between 1965 and 1973) I was blessed, really blessed, to live in a time where music was everywhere, in the folk movement, the birth of rock and roll, the British invasion, the singer-songwriter era, and certainly in the renewed interest in liturgical music that the Second Vatican Council precipitated. Most of the time through those years I played guitar, but kept going back to the piano because I felt more at home trying to figure out songs I was hearing by using piano notes. I even remember the feeling one morning when I woke up in college—not the day, or time of year, but the feeling upon awakening—that I understood music in a way I had never understood before, that music moved horizontally rather than vertically. I guess I mean that I understood about how chords change and music is made by the forward movement of melodies rather than the vertical imposition of chords. It came to me in sleep, as the psalm says God's gifts often come. I'll never forget that "awakening."

Anyway, as I started writing more and more, especially the end of college and then into my new "real" life back home, I was trying to write like my colleagues and mentors and music heroes, Robert I. Blanchard, David Windsor C.M., Richard Proulx, and friends at school. To me, it seemed like "more complicated is better," so I worked hard on writing some not-very-good organ and keyboard pieces like "Kenosis Hymn" and other songs, and even my more "pop" style writing was more musically complex than many church musicians wanted to bother with. By the time my first album, You Alone, had been produced, I felt that maybe I was getting too far away from my guitar roots, where songs like "Psalm 40: Here I Am" and other pieces I'd written in school had touched hearts and become part of my friends' prayer life. So I decided to write something just for guitar, not needing anything more than a handful of chords, that was more like the folk style I'd grown up with, singing Kingston Trio and Peter, Paul, and Mary songs in school.

What happened was "We Will Serve the Lord." (Link is to original SongStories post) I know it's not the first song ever to pick up on Joshua 24:15, but I am surprised it hasn't been done more. And the Joshua passage is read as the first reading on the fifth of the Bread of Life Sundays in Year B (August 26 in 2018). Having a Sunday with an anchor text like that doesn't hurt the shelf-life of a song, of course. Musically, my need to write a song in my older, folkier, "simpler" style was probably also influenced by the 1979 Dylan song "Serve Somebody" from Slow Train Coming. Either that, or Gary's imitation of Dylan singing it at every concert we've done for the last thirty years has made me paranoid. The song begins with a three-chord riff that, on the original album Do Not Fear to Hope, was played on a keyboard using an electric guitar patch. The same instrument played the solo in the middle of the song, played by producer Tom Kendzia's college friend Stacy Widelitz, who, as you may remember from my post on "Song of the Chosen," co-wrote the song "She's Like the Wind" from the multi-platinum Dirty Dancing soundtrack.

I remember, when writing the text, thinking about something I'd read in our Corpus Christi Center classes in Phoenix from a book called Money, Sex, and Power: The Challenge of a Disciplined Life, a 1985 publication by theologian Richard J. Foster. The one thing I can recall about the book now is that the title places the names of the challenges to a disciplined life that are meant to be tamed by the ascetic virtues of poverty, chastity, and obedience. Somehow in my reflection on all that, I wrote the song as an anthem about the values conflict between American life and Christian life, phrased in language that suggests a sharp and clear black-and-white bipolarity rather than the rather more nuanced moral choices people are called to make, often without the compassionate evangelical guidance they ought to be able to expect.


The language of the lyric is more polemic and divisive than I would write today, and I wish I had the phrase "pagan horde" back. But two things about it: I was a lot younger then, more than half my lifetime ago, and knew even less than I know now. But also, I'm not so sure that with better evangelical guidance the song might not help people of a certain age and spiritual maturity voice some confidence and mutual affirmation in faith without necessarily setting group against group or feeling that one particular path of faith puts us "above the pagan horde" or any other horde. I'm for telling the truth these days, I guess, which is what I was for back then too. I just am not for defining ourselves in faith over and against others, because that kind of rivalry just makes everything worse, and breaks faith at the very place that faith tries to unite and reconcile.

I guess maybe you could say that I tried to simplify my style a bit thirty years ago, which was good, and then over the last thirty years I got more complicated, which might also be good. I know this: in the music department, since my soul-searching that led up to writing on guitar again with "We Will Serve the Lord," I've tried not to write "over my head," in the sense that I would be imitating some musical style that a thousand other songwriters can do better. I write what I write, and hope that it connects with both pastoral musicians and the people they serve. There are a lot of songs out there: maybe too many. People who don't like what I write have a lot of other options!

We've recorded the song twice, first in 1986 on Do Not Fear to Hope, and then in 2000 on our Change Our Hearts collection with OCP, that re-recorded the songs from our NALR albums that had been anthologized. My friend Tom Booth, an amazing performer, speaker, and songwriter himself, also recorded the song on his self-titled 1996 recording, his second record. You can hear a clip of his version here at OCP, by clicking on "view songs" and then the arrow next to "(We Will) Serve the Lord."

Somebody, I think it was Fr. Virgil Funk, probably distilled in the vocabulary of John Gallen, SJ, said that liturgical music needed to be artistically and expertly crafted so that sublime music about the deepest truths of the universe could be performed and sung by non-professional church musicians and parishioners. There is no particular matrix or sound or instrument that have a monopoly on that craft. It is ultimately driven by the word of God, but it is not an end in itself so much as a means to the end of changing the world. It's simplicity is to let the word shine through, and make it possible for everyone, and everyone's children, and everyone's grandparents, to participate as thoroughly as possible. Liturgical song does not aspire to be great art in the aesthetic sense. It aspires to make expression of the mysteries of grace, community, forgiveness, and sacrifice part of the emotional and spiritual vocabulary of the whole Church. So I think "simplifying," avoiding or cutting away everything that doesn't contribute to the success of any local congregation find its voice, is a good instinct for us songwriters. As Leonard Bernstein and Stephen Schwartz taught us in their performance piece, Mass, "Sing God a simple song, for God is the simplest of all."


Monday, August 7, 2017

Second Thoughts: "My beloved Son" and "Little Boy"

"His face shone like the sun…a bright cloud cast a shadow over them" (Mt. 17: 2, 5)

"…the sudden flare of harsh light was the first indication that something unusual had happened. In that eerily silent moment, white clouds sprung from the clear blue sky." (Allan Bellows, "Eyewitnesses to Hiroshima and Nagasaki")

I'm sure a lot of you sat there during your church services Sunday remembering that it was on August 6, 1945, that a US B-29 bomber dropped a bomb nicknamed "Little Boy" over Hiroshima, Japan, and perhaps 80,000 people lost their lives in the blast and ensuing firestorm. Half as many again died three days later in Nagasaki, and within a few months the death toll had climbed to well over 200,000.

What got me started on this was just the images in the gospel: the face of Jesus shining like the sun, a bright cloud casting a shadow. It was like the language that was used in books and articles I had read about the events of August 1945 to describe the atomic blast, though the latter was an event of historic disfiguration, not transfiguration, as the feast celebrates. And the language is peripheral, even disproportionate and dismissive to the seriousness of the devastation; but I hear words, I can't help it. In spite of the destruction wrought by "Little Boy," language of eyewitnesses like Isao Kita, a weatherman about two miles from ground zero, borrows the language of a poet to describe his first reaction to the event: "…white clouds spread over the blue sky. It was amazing. It was as if blue morning-glories had suddenly bloomed up in the sky."

"Be Thou My Vision" was what we sang to initiate our celebration of the Transfiguration yesterday, and these two memorials represent distinct visions of the future of humanity. In the white flash and heat of Hiroshima, the bright cloud that continues to cast a shadow on our planet after over seventy years, there is the specter of escalating violence that seems to have no upper limit, a road for humanity that is epitomized and encapsulated in the horrific moniker of "mutually assured destruction." The normalcy of civilization requires that various nations and ethnic groups defend themselves against aggression and the possibility of aggression, the buildup of arms, the tangle of vassal states and alliances that compose the fragile network of the balance of power. The explosion at Hiroshima which vaporized a square mile and snuffed out tens of thousands of lives in an instant was an act of retributive "justice," revenge masquerading as necessity. It was disfiguration of our race.

In stark contrast, though, the transfiguration of Jesus on his trek toward Jerusalem and the cross was a moment of revelation, its radiance being another moment of God's unveiling an alternative path for humanity. God was saying, "Yes, here I am," in the face of the one who preached love of enemies, the blessedness of the poor, of the meek, of peacemakers and justice-seekers. "Listen to him, my beloved son" was what the voice in the cloud had to say of him of who, with Moses and Elijah, two faithful witnesses to God against the violence of Egypt's pharaoh and Ahaz, Jezebel, and the court prophets of Israel, was bathed in the sunlight and cloud of the theophany.

"Little Boy" fell on Hiroshima at 8:15 a.m. on a Monday morning in 1945. It was still Sunday here in the United States, where the people who gave the orders had attended church services a few hours before, celebrating "the beloved Son."

No one mentioned Hiroshima at my church yesterday. Do we ever even talk about the choice? Or do we think we are following Jesus even when we choose to support the very rivalrous powers of "normal civilization" that put Jesus to death? The choice between gods and empires is the choice between disfiguration or transfiguration, as Moses, Elijah, Peter, James and John all know, there in the company of Jesus, the beloved of God.

Sunday, July 30, 2017

Occam's Razor, the Treasure, and the Pearl (A17O)

As I listened to the very fine homily this morning in Glendale, AZ, as a member of the assembly for a change, there wasn't much I was "sorry" for. St. Thomas More is a beautiful church celebrating just its 20th anniversary as a parish. Many parishioners from my old parish, St. Jerome, seem to have migrated there, and there were even faces from St. Augustine, where I served over thirty-five years ago. And I ran into a former parishioner from Barrington, though it was long enough ago that our paths didn't cross. The choir was singing through the summer (kudos to them), they had very fine musicians playing drums and clarinet, and their keyboard player Hyung Mi graciously ceded the piano bench to me (for the selections I had written) and played the organ, so we had a wonderful morning of song under the able and hospitable direction of Steve Raml. My brother was singing in the choir, his wonderful adult son was with him, and it was wonderful to be with them.

If there were a single thing I would have wished for, you know, in that perfect world of imagination where nothing we actually experience ever measures up, it would have been a tiny bit more nuance in that homily. The priest, wonderfully prepared and clearly a beloved leader in the parish, spoke first about how parables aren't what we expect them to be. He spoke about how we expect Scripture to give us answers, to give us a road map (a GPS route, he said) to heaven. But, he warned, that's not what we get at all. It's more like a pointer. The kingdom of heaven is indescribable, even to Jesus, was his message. It is like to trying to say what love is like. We don't really have the words, so we use metaphors. All good so far, and especially the part about not looking for answers in the Scriptures, especially in the parables, especially in literal interpretations. The preacher even warned us that Jesus meant us to understand "the kingdom of heaven" not as something that will come later, or someplace we encounter after death, but a present reality that we are meant to live in here and now, in this world.

But then, there is the interpretation of these two parables, and what I heard was...pretty much the obvious. The kingdom is valuable, so much so that, when we find it, it replaces everything else we want, so we should go and give everything for it. 

Occam's razor, I think, would yield the same answer. Look for the simplest explanation, and it's probably right, we say. But the trouble with that and the scripture is in the mist that lies between us and Middle Eastern culture, in what's not said in the parables, and the difference between parables and other kinds of morality tales. So here are a few questions we need to deal with, at least as I see it, when we're unpacking the parables. 

"The kingdom of heaven is like..." How does this solution, i.e. the idea that Jesus simply meant "go for it with all you've got," tell us what the kingdom of heaven is like? 

Whose field is it? If the man found the treasure hidden in a field, then the treasure belongs to the owner of the field. The man is not entitled to it, and to purchase the field without telling the owner is unjust.

"He goes and sells all that he has..." Another caveat in the story is that line. So, once he sells all that he has and buys (unjustly) the treasure or in infatuation the pearl, how does he eat? Where does he live? If he reveals the treasure from his ill-purchased field, he'll be known as a scoundrel and shunned. As some commentators says, "He'll be a laughingstock," a pauper clutching his hidden treasure. 

"Hidden in a field"  The very idea of the kingdom being "hidden" is repugnant to Jewish and Christian theologies. I suppose that the kingdom might be hidden if our starting place is the locus of "I know where the kingdom of God is," in the sense that we can't find it, it's "hidden," because we're looking in the wrong place. It's openness is, ironically, invisible to us. But in Jewish theology, the reign of God is everywhere, it's the residue of God who created everything from nothing, or, more accurately, from self, from love. "The earth is full of the goodness of the Lord," says Psalm 33. In Christian theology, the idea that the kingdom is hidden from us, or that there's some secret we can be told or unlock to gain it, is clearly a kind of Gnosticism. Again, our best instinct tells us, in the light of the gospel, that the kingdom of God is available to everyone and is the free gift of God to those who desire it. No purchase required.

Of course, it's fair to hear the parables on the level where we are without attempting to try to get to what Jesus was actually trying to say twenty centuries ago. I don't see any harm in us wanting the reign of God above all our other possessions; it's just that, if it's worth giving everything for, we don't purchase it directly. We follow the invitation of Jesus, perhaps, to "sell all you have and give it to the poor," which seems to be the shortcut offered to at least one seeker by the master. 

The solution to this parabolic puzzle, at last the one that appeals to me most at this point in my living, is the one that resonates with my experience. Jesus may be trying to tell us to watch out, because wanting to "buy into" the kingdom by use of our talents or wealth may lead us to do things that are unsavory, unjust, or even antithetical to the kingdom itself. Imagining that we can "buy" God's grace and presence through any machinations of our own is ludicrous. Those of us in the church may find ourselves doing crazy things: making judgments about who is good enough to be a member, for instance, or imagining that we can exclusively or infallibly mediate God's favor. We may take shortcuts in ministry that enable us to exclude others from our churches, brush people aside, or define ourselves over against other groups of Christians or other faiths so as to make some claim upon God's favor. Anything we do that says, "I know God and you don't" is part of the craziness that imagines that it's worth betraying God's utter catholicity, God's diversity-in-unity that is our best image of God's nature, by "selling all that we have" of that being let into grace and in order to bar others from its warmth. In fact, we can't do it, and we're the ones left to weep in darkness of our own making, while the feast of the uninvited goes on within earshot, inside doors we've locked from the outside.

Or, maybe it isn't. I think it may be enough to be willing to give all for the reign of God, as long as we don't begin to think we have any kind of exclusive claim on it. But I also think that the world of the parables is an invitation to this kind of critical thinking about the strange words of our clever, open-hearted rabbi who would neither be silenced by the powerful nor countenance that there were any secret or exclusive paths to purchase the love of a God that is given freely, before we even had a mind with which to imagine asking for it. I like thinking sideways about them, and am grateful for those who ask us to engage the text on its own terms, and not imagine that there's a single way to hear the word of the Lord, the word that spoke,  and where there was nothing, everything, and every place and time, happened. 

Thank you, St. Thomas More, people, pastor, and musicians, for a wonderful experience of Church this weekend. Happy anniversary. Thank you for inviting me to be a part of it. 

Thursday, July 6, 2017

Second Thoughts: Love is not jealous (A13O)

I suspect a lot of gospel readers would have liked to have skipped the first half of last Sunday's gospel. I know for sure a lot of us would rather not have listened to it. It's not that I want the gospel to say what I want it to say, that I don't agree with Jesus. It's that what the gospel actually says can't be what I heard, because it would indicate inner contradiction in the message of Jesus. The first half of the gospel would be teaching that Jesus is a jealous lover, a rival for the affection of the disciple with the very people that God put into one's life for all the reasons that we know family and friends exist. The second half would indicate that there is a "reward" at the end of the stick of obedience, both taking the gospel out of the realm of love (i.e. to do a thing for a reward is not doing it for love) and creating a debt that God has to pay for people doing what they are supposed to do. Both of those things are abhorrent to me. 

The juxtaposition of "love me" and "worthy of me" just doesn't work in English, and it certainly doesn't work in any language coming out of the mouth of the same Christ whose Sermon on the Mount (echoed by a passage a couple of weeks ago) told us that God cares for us more than ravens and sparrows and lilies, and we shouldn't worry about anything, and God is like a father to us, that, in fact, 
I say to you, love your enemies, and pray for those who persecute you,that you may be children of your heavenly Father, for he makes his sun rise on the bad and the good, and causes rain to fall on the just and the unjust.
So what does this egalitarian love have to do with worthiness?

As I said last week in my Wednesday post, we know from experience that the best kind of love we've ever known has exactly nothing to do with worthiness. It's a bolt out of the blue, as the saying goes, that stops us in our tracks and has us babbling "Hallelujah" like David and Samson and the singer-songwriter Leonard Cohen in the eponymous and ubiquitous tune of the same name. What we know is that love doesn't depend on the beloved, it comes from the lover, and it is a gift, and in its only genuine form, requires nothing in return, and doesn't even nod toward worthiness. Nobody is worthy. Or rather, everyone is worthy because of the created spark of the divine in every person, but when the lover is in touch with that holy fire, worthiness isn't even up for discussion. It's a complete non-issue. Love is given without restriction, it is created from nothing like the best and rest of the universe. It shares in the Being of the one from whom all loving flows. Love, in the beautiful, if Gertrude-Steinian poetry of a joy-drunk Lin-Manuel Miranda, "is love is love is love is love is love is love." Love empowers a response, it doesn't demand it; love enables change, it doesn't expect it. 


Love, says St. Paul in 1 Corinthians 13, is not jealous. It is unthinkable that Jesus, the "visible face of God's mercy," would have placed such a strange restriction on his love to his closest disciples. If "love is not jealous" is meant to describe the relationship among members of the Corinthian church community to whom St. Paul was writing, certainly it is an attribute of the God who is love. God is patient. God is kind. God does not put on airs, is not jealous.

So what is Jesus saying when he says…
Whoever loves father or mother more than me is not worthy of me,
and whoever loves son or daughter more than me is not worthy of me;
and whoever does not take up his crossand follow after me is not worthy of me.
This whole section of Matthew must be tied to the message that MT is trying to get to the church for which the gospel is being compiled. Perhaps, as John Meyer suggests, the community is split along generational lines, causing rifts in the church, during a time of persecution. Chapter ten of Matthew began with the commissioning of the disciples to preach the gospel, with a no-nonsense warning that they should not expect to be received with universal praise. Ultimately it is not about Jesus that the warnings are given, but about the gospel that he is preaching, and how it is received or not by the community. To all the warnings in this chapter about persecution and the possibility of being rejected, Jesus gives the divine advice from the Jewish scriptures: Do not be afraid. 

For me, the second section of the gospel is just as problematic: the promise of reward for doing good. On one hand, this is straight Deuteronomic morality: if you do good, you get rewarded. If you do evil, evil will befall you. Jesus does not usually teach this way, in fact, his teaching about God in chapter 5, quoted above, is that God lets the sun and rain fall upon the good and bad alike; he makes a parable about weeds and wheat growing together until the final harvest when God will sort it all out with a wisdom more discerning than our scythes and uprooting. Jesus is always more aware that bad things happen to good people, and bad people sometimes seem to be the ones blessed. His concept of God and morality is much more nuanced than the most popular brand of Judaism. As one teacher put it, with the book of Job (and much of the wisdom literature), the Deuteronomist should have died a quick death in the 3rd century BCE. But we seem to be hard-wired for the reward and punishment schema, and we just can't quit it. 

It seems to me that a way of reading "reward" might be to understand it as the natural result of acting the way we were made to act. We're children of God. We're made from love, we're made to love. We're made for generosity, to look out for one another. When we act according to the way we're made, we're happy. It's not a reward. We're just not kicking against the grain. We're floating on a downstream river of loving energy, not swimming upstream and doing everything we can to torpedo our destiny and betray our nature. "A good tree can't bear bad fruit, and a bad tree can't bear good fruit." It's not a matter of reward and punishment; it's a matter of being who we are meant to be, and we are all meant to be sons and daughters of God, brothers and sisters of Jesus, who care for each other and the world in the way we wish we were being treated, even if we aren't being treated that way, and we act that way toward everyone, even if they're not in the same game. 

Finally, by the time the gospel of Matthew was written, the "normalcy of civilization" was beginning to swirl back around the path through the sea that Jesus and the gospel had opened up. Human beings really don't want a God of distributive justice, a God of freedom and love. We want a god of talion justice, who takes at least an eye when an eye is taken; we want a god who gives us ours, whether or not it has to be taken from someone else. We've been treated badly, we think. We deserve better. God will give it to us, and just to be sure, we create a god who do just what we want. This god, probably an Assyrian-Egyptian-Greek-Roman hybrid with a big army, a palace with a prison, and a phalanx of accountants and torturers, was ready to step in and fill the void. Jesus who said in the Sermon on the Mount that "whoever calls his brother a fool shall be liable to judgment" became the Jesus who called the scribes and Pharisees fools, murderers, and whitewashed tombs. Jesus whose parables proclaimed that God will sort out the good and bad in the end cursed, in the same gospel, towns and villages and fig trees. The further we get away from Jesus, from Paul's letters to the Corinthians and Romans, and from the gospel of Mark, the more the message contains hints of compromise with Rome and gospel of Caesar, of an expedient if bloody peace on earth through violence, and a Jesus who sounds, now and then, like the petulant, narrow-minded preachers that overpopulate the airwaves of the twenty-first century. 

But the resurrection happened, and the Risen One came back without any word of revenge, still proclaiming God's merciful love and universal forgiveness at breakfast, lunch, and dinner. The Spirit of God was visibly loosed upon the world in a few fallible women and men utterly changed by their experience of their rabbi, dead and risen. Empowered by their experience, they went out to persuade people everywhere that there was a better world available to anyone willing to turn toward their neighbor and see a child of another God. The "reward" of conversion, of turning from the worship of Caesar to the God of Jesus, was life in a community of equals, of living in a new family that lived in faith of God's distributive justice where all were meant to have enough, and in whose world there is enough for all when it is shared. 

The rich young man in Mark 10 wanted to know the secret of getting in on eternal life, and when Jesus told him it was as simple as sharing what he had and trusting he'd have enough, he "went away sad." Gospel life is its own reward; opting for any other way is its own punishment. We were made for each other. Gospel life is living in the awareness that the world belongs to God, and every person is made in God's image.
Love is patient, love is kind. It is not jealous, is not pompous, it is not inflated, it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury, it does not rejoice over wrongdoing but rejoices with the truth. It bears all things, believes all things, hopes all things, endures all things. Love never fails.
God is love is love is love is love. That is the good news, no matter what the gospel may seem to say to the contrary!

Saturday, June 3, 2017

Rising from the Dead 4: Easter spreads its Pentecost wings


 4. Easter Spreads Its Pentecost Wings


This is the day that people, mostly men, have made.

It is a day full of violence and images of violence. Beheadings and suggestions of beheadings. Lynching and dreams of lynching. Murder and threats of murder. War and rumors of war.

It is a day when strangers are presumed to be enemies, a day when those who look, speak, or dress differently from us are presumed to have it in for us. It is a day of mistrust and quarantine, deportation and isolation. It is a day of fear, and scarcity, and hoarding, class war and intellectual snobbery.


This is the day that we have made. Let us feel the oppressive weight of it, rue the energy we've spent demonizing our enemies, believing the lies of scarcity and death. We'd been warned. We know better.

There is another day, the day we've been living for the last fifty days in another reality, when we give our time to it, if we'd let it break out of its Sunday horizon. It is the day God has made, and it is beautiful to see.

Narrative and Counter-narrative. The world has always belonged to the death-dealers, the lynchers, beheaders, the masters of exile and forced labor. And there has always been another story, rising up from that dark narrative like light seeps through a crack in a wall. It is a new narrative of shared plenty, of freedom and equality, of rest and abundance for all. The story takes place in this world, transformed by justice. The forces of the quick fix, of might-makes-right, of manifest destiny have always tried to assimilate this counter-narrative, to marry it to the property of the rulers. But it will not be held captive for long. "There is no imprisoning the word of the Lord." Its story makes fools of its captors and shows them for the duplicity and opportunism of their revisionism.

In the days following the murder-by-capital-punishment of Jesus of Nazareth, there was confusion and fear among his inner circle. But as dark and final as the narrative had turned, the counter-narrative was as sudden and bright as creation, a "big bang" that threw unimagined light in every direction. The tomb of Jesus was found to be empty, and the frightened folk who had been his companions suddenly found voices and power to say something extraordinary, without fear of reprisal: Jesus, whom they had seen die, was alive. Their experience, during the reorientation to the new light of Easter that was the empty tomb, the experiences of Mary, Peter and John, Thomas, Clopas and his companion, and finally the other disciples, was that the divine mission undertaken by Jesus in their lives had been passed on to them, ordinary Jews, to spread to the world.

This couldn't have happened overnight, and might not have happened at all except for the extraordinary change wrought in a fiery Pharisee evangelist named Saul by a vision of the risen Christ. His narrative, too, was overturned, reinterpreted, and given back to him, so that the Law and the prophets meant something utterly new, not to be enforced and defended by threats and violence, but by persuasion and table talk. Even more important, the deep sense of mutual belonging to God that had formerly been a covenant only with the children of Abraham came to be understood by him to be offered in a new way, through Christ, to the whole world. In a similar, more gradual way, the same insight seems to have sunk in with Simon Peter after some interactions with a Roman official and his family. The preaching of the twelve, at least as recorded in Acts half a century later, reveals continued meditation on Jewish scriptures but with a new narrative in mind that slowly begins to include everybody in the parental love of God through adoption in Jesus Christ through the working of God's love in the Holy Spirit.

We who have been part of the Easter liturgy over the last 50 days have heard this story retold over the din of counter narrative being noisily and angrily, violently, mortally preached by ISIS, Donald Trump, Putin, Duterte, and their spokespersons and minions. While the voices of death and isolationism and domination preached their dysangelion, we have heard how a handful of inexperienced fishermen and artisans voyaged around the known world, often reviled and ridiculed, subject to shipwreck, shunning, hunger, threatened with prison, stoning, and exposure to Roman arrest and revenge, took a message not of threat or exceptionalism but of welcome and the all-encompassing love of God to the world.

What kind of fire? What kind of fire would turn these men and women of no particular influence, means, or talent into a peaceful force that called such diverse people to unity in the crucified Jesus and their own transformed Jewish story of a world created by God for freedom and equality?

After fifty days, after ninety days, after two millennia, what kind of fire would convince us to ignore the narrative that says "there's only enough for us," "only our way for the world," "enterprise before the earth," "violence will be met with deadlier, unremitting violence," and "one race above all others"?

Christ still announces his simple message: Turn around. Stop listening to those angry, lost voices. Believe in love because it is the life of God. Follow me. Love your enemies. Call God "our Father," everybody in the family. If you have two, give one away. Lead by serving others. Treat everyone the way you'd want to be treated.

How's the other way working out for you? Happy with the way things are? Jesus says, Turn around. They're lying to you. You're going the wrong way.

I don't know what it means "to rise from the dead." I have no grasp of what resurrection life is. But I see something worth following here because it changed people from being afraid of death to embracing it when it became unavoidable because they were certain from their experience that it was not the end, that something full of life, something greater than life, was coming, and coming in this world, because it was here that they experienced the resurrection. It is for everyone. No one is excluded, no one gets less than everything. No one has to fight, argue, or kill to get it. It's gift. No one offers anything better. So I choose to believe in "Follow me."

Follow me into the fire that is Life. I'll go first.

Summary: Rising from the dead means finally breaking out of the cocoon that is the safe and familiar: family, community, faith, nation, into God's wide universe of the whole human family, the earth. We've been raised in a world that has given us too small an identity and crippling allegiances with no future. The gospel and the resurrection offer abundant life, for everyone, in this world, and more. "Only God could make this day. It is beautiful to see." (Psalm 118:23) "Lord, send out your spirit and renew the face of the earth." (Psalm 104:30)



Sunday, May 21, 2017

Rising from the Dead 3: The Emmaus Tapes

3. The Emmaus Tapes 
"Emmaus," by Filipino artist Emanuel Garibay (2000).


My spirit loves that there is a special gospel for Easter when mass is said in the late afternoon or evening, and the gospel for those masses is the story of the road to Emmaus. Even in Year A, however, the narrative makes its way into regular Sunday hearing on the third Sunday of Easter, with the second Sunday always reserved for John "Pentecost" on the third day, and the "eighth day" story of Thomas.

As if there weren't enough to endear me to the story of Emmaus, which, in the day, we so often used for a missioning service for folks who came to our initiation workshops for the North American Forum on the Catechumemate, the wonderful James Alison yokes the Emmaus story with its eucharistic allusion with the opening verses of the Letter to the Hebrews as he begins his "introduction to Christianity for adults" in book and video, entitled Jesus the Forgiving Victim: Listening for the Unheard Voice. In Alison's hands, what was incomprehensible in the Letter to the Hebrews becomes more inviting, and the story of Emmaus becomes more compelling than ever, a parable of wrenching conversion that turns chaos into a passion for life ("fire burning within us") and a change of direction that helped to birth the church out of the devastation wrought among the disciples of Jesus by his crucifixion.

A brief introduction to Alison's thoughts on the 
"forgiving victim" of Emmaus.

I could not do justice to Alison's exegesis on the Emmaus story here, but do want to remark before proceeding that he helps us to hear, through the Greek in the text, the extent of the roiling doubt and confusion left in the community in the wake of Jesus's execution. (One of my favorites, by way of example, is his pointing out of the verb antiballete in Greek, often translated as "discussing," might be heard differently:)
So, this third person draws up, unrecognized, and says to them: “What is this conversation which you are holding with each other (οὓς ἀντιβάλλετε πρὸς ἀλλήλους) as you walk?” Well, lest you think that this third party has lighted upon a quiet afternoon chat between two English vicars, who are strolling gently along by a river bank and saying things like “Awfully interesting things seem to have happened to Jesus.” “Yes, really, quite fascinating. Wonder what they’ll make of this in Tübingen!”, I’ve included the Greek word antiballete, from which we get our word “antiballistic”, and it means to toss back and forth in a somewhat violent manner. So rather than a quiet discussion, what is going on here is a row: you know the old joke, “two Jews, five opinions” — a considerably charged exchange of multiple viewpoints.
Alison, James (2013-11-11). Jesus the Forgiving Victim: Listening for the Unheard Voice - An Introduction to Christianity for Adults (p. 54). DOERS Publishing LLC. Kindle Edition. 
He gets around to trying help us understand, both in this chapter and later when he's talking about the disorientation and reorientation of our lives (like the early witnesses) when we realize that God is the protagonist of our story, not us, that this turmoil is completely natural, as deep as our bones and our dreams, because we're literally pulled out of the orbit of our consciousness and drawn into the gravity of  I AM. What we thought was reality, our interacting with the world, our receiving our identity from people who may not know who they are, learning the patterns of desire and behavior of a world that has only subscribed to and learned from "civilizing" violence, turns out to be a lie, a poisonous vapor, and that all the while the Forgiving Victim has come back from the gallows and the grave with another path, another civilization formed by love, patterned after the love of God that "makes the sun shine and rain fall on good and bad alike," and who is made visible once and for all in Jesus.

What struck me about this this year, as I listened to the readings week after week from Acts of the Apostles and then from First Peter, and harkened back to the Matthew and John passion narratives, was the number of references through the season to "Moses and the prophets" in the kerygmatic speeches of Peter and others. It brought me back time after time to that line in the Emmaus story, when Jesus says to his companions, “'O foolish men, and slow of heart to believe all that the prophets have spoken! Was it not necessary that the Christ should suffer these things and enter into his glory?' And beginning with Moses and all the prophets, he interpreted to them (διερμἠνευσεν αὐτοι̑ς) in all the scriptures the things concerning himself." Jesus, on the road to Emmaus, became their hermeneutic principle. He retold to them their chaotic story, the same story that made no sense to them, with a new thread that they had been unaware of, however steeped in the scripture, history, faith, and ethos of the Jewish people they may have been. And, Alison is quick to add, this was not merely a religion class: he was interpreting their understanding of their existence to them. There was no Jewish faith without a Jewish nation, every meal, every relationship, history, festival, and crime was related to the story. He told them, in their own vocabulary and through stories they knew and their experience of the life and death of Jesus, what their own lives meant.


In Acts 10, the section read on Easter, Peter talks about what he and the other disciples have witnessed in Jesus, in front of a mixed group of Gentiles (God-fearers) converts and Jews, about the meaning of the death of Jesus and his need to witness to the meaning of that death as it unfolded in the (unhappily, untold) story of the centurion Cornelius and his family. Like the mission to Samaria and the council of Jerusalem, this is a foundational moment in the self-awareness of Christianity, or "universal Judaism." 1 Peter 2 -3 has references in the Sundays after Easter to Psalm 16, Isaiah 28, Psalm 118, Isaiah 8, Exodus 19, and that's just the times Peter/Luke directly quote those scriptures. I've been attending daily mass through Easter (I'll give you a little time to get up off the floor and let that sink in) and the pattern continues throughout Acts. In Acts 7, alluded to during the 3rd week of Easter only with the end of Stephen's discourse and his death, Stephen tells his Jewish accusers their own story leading to Jesus by quoting from or referencing parts of Exodus, Deuteronomy, Numbers, Amos, Jeremiah, Josue, Isaiah, 1 Kings, 1 Chronicles, and Psalms, and that's just what I can remember from the footnotes! Philip and the Ethiopian eunuch in Acts 8 discuss Isaiah 53 in interpreting the meaning of Jesus. Paul's address in Pisidian Antioch to the gathered Jews and God-fearers refers to Exodus, Deuteronomy, Josue, Judges, 1 Samuel, Isaiah, and Psalms.

OK, I think you're getting the idea. So why did I call this blog post, and this wash of insight over these Easter weeks, "The Emmaus Tapes"?

It seems to me that there are a lot of "lost years" between the death of Jesus and the arrival of Paul on the scene as the apostle to the Gentiles. One possible dating of the Council of Jerusalem, recounted in Acts 15, puts it around 50 CE, so maybe a period of twenty years after the events surrounding the death of Jesus. During that time, in addition to continuing to pray in the "synagogues" and temple and thus hearing again and again their own scripture read to them and discussed and prayed over with Jesus in their hearts, they also met at table, went about doing good works, and told their own stories and developed their own traditions about what Jesus said and did.
"Emmaus," by Janet Brooks Gerloff

This was all "post-Easter catechesis," wasn't it? It dawned on me that one way of seeing the Emmaus narrative is as a parable of that process. Or, conversely, we might see the apostolic narrative, the speeches of Peter, and especially the first letter of Peter, as an "unveiling" of the Emmaus tapes. If you have wondered, with me, what Jesus said on the road the made the hearts of Clopas and his unnamed companion (me? you?), maybe these stories in Acts and 1 Peter, the apostolic kerygma, is the answer, or was the answer for the Jewish hearers and their gentile God-fearer peers of the day.

For us, see, the interpretative key for our story, which includes the stories of the Jewish scriptures, the Christian scriptures, the songs and stories we learned in school and from our mothers and grandmothers, sisters and priests, along with the sturm und drang, the clang and chaos of political doublespeak, broken promises, class war, the ephemeral comforts of retail therapy, overeating, obsessing over health and beauty, worship of youth and success, all of that, everything which has us hurling antiballistic epithets at each other and crawling to church, booze, entertainment, and drugs in order to make the pain go away: the interpretative key for our story is Jesus Christ, dead and risen. He is the image of the invisible God, power that serves, utterly alive, who offers unconditional love and forgiveness that precedes our asking for it, like Grandma's, only better. Jesus taught Grandma. All the grandmas. Or the God of whom Jesus is the image did.

This is how Easter is ever new. It's the annual, eternal "Follow me" from Jesus that assures us that it will be OK to go to the place of the victim, to stand with the rejected, to risk forgiving and reconciliation, because God has already gone into that place and remains there, hallowing it. The tornadic clatter and roar of modern life is stilled by the voice of the Messiah, whose word approaches with a thread that binds all of life into a song for the pilgrim's road. The Emmaus tapes, playing still in the words of the apostles, ring down the ages to our grumpy, mistrusting, suspicious, fearful hearts, offering yet a walk into a new world, this world, transformed by a different gravity, known by the fire in our hearts, bellies, and laughter when we remember the music of his voice.

Summary: Rising from the dead drops us into the unknown, and for a while it's like waking up in a different house when its still dark. But the new house has been prepared with loving hands, and we discover that it is a commune. A new narrative replaces what we had thought was our story. We are finally ourselves, finally home.

Wednesday, May 17, 2017

Rising from the Dead 2: You will never wash my feet

2. "You will never wash my feet."

I guess I've spilled a lot of ink, as have others, on John's version of just what "Do this in memory of me" means. What caught me ear this year though was Peter's line, repeated in our song during the foot washing, and, strangely, addressed in a throwaway line between the rite and the intercessions by our pastor, a line that could have been an entire homily. (I don't remember the line, I only remember that the way I received it stuck with me.) The idea was this: Peter was appalled by Jesus's action, but not so much by the fact that Jesus washed his feet, but that, as a disciple, he was going to have to do so as well. He saw that in the action, before Jesus had said anything to them.

We had just finished working through some of the ideas in Crossan's book How to Read the Bible and Still Be a Christian: Is God Violent? An Exploration from Genesis to Revelation, and I had cross referenced some of the ideas there with two other books. One was Derek Flood's Disarming Scripture: Cherry-Picking Liberals, Violence-Loving Conservatives, and Why We All Need to Learn to Read the Bible Like Jesus Did (are these titles too much, or what?) and books by Bernard Brandon Scott and Borg/Crossan on St. Paul and his metamorphosis-though-literary-assimilation from a radical disciple of Jesus to an apologist for accommodation to the Roman empire. The book about Paul, in short, make the case for Paul the Jewish Christian, and for distinguishing between the actual letters and letters edited or written under his name by others. They note the sharp distinctions between the radical Christian equality in Paul's texts that proclaim that in Christ there is "no Jew or Greek, slave nor free, male nor female, (Gal. 3:28)" and then in other (assumedly not Pauline) places make clear distinctions in all cases. That's all by way of background, because I want to focus on "neither slave nor free," and bring in the Letter to Philemon here, along with the words of Galatians quoted above.

So in the Last Supper story in the gospel of St. John, "Jesus took a towel," stripped, and washed the disciples' feet. We say this over and over again. We act in out in our Holy Thursday liturgy, and pick liturgical nits about who is qualified to get their feet washed by the slave. But we don't really deal with the reality being expressed here. The master, the one who has led the trek from Galilee to Jerusalem over the months and years of his ministry, the healer, the spell-binding story teller and teacher, the paterfamilias at the table of the disciples, does something so radical that, in our much more egalitarian society, we cannot imagine. The one at the top of the honor system among their peers, the one whom every apostle and disciple, apparently, right up to his death and even afterward, thought to be the promised Messiah who would deliver Judea and Galilee from Roman occupation, literally takes the social position of a slave, removes his outer garments, and washes the feet of (at least) the twelve. This stomach-churning reversal must have blind-sided them. The unfiltered Peter, in John's account, can only blurt out, "You will never wash my feet."


This event is not mentioned in any of the synoptics, nor is it mentioned in any of the Pauline or universal letters. However, Bruce Chilton in Authenticating the Activities of Jesus (Brill Academic, Boston, Leiden 2002) cites a "criterion of coherence" with several strains of "greatest/least" and "servant/master" sayings in the synoptics, and with Pauline themes like the hymn in Philippians 2 about the kenosis of Christ. Chilton (and others) see Jesus, and later, the church, as symbolically taking on and ultimately subverting the class distinction that is slavery. Jews were allowed to have slaves, but recall that their foundational experience, whether you start from the captivity and work backward or Egypt and work forward, is one of slavery, and so within the ethical memory of the nation there is an antipathy to slavery, the same one from which the sabbath proscription on work arose.

Along with the Galatians assertion of "in Christ, there is neither slave nor free," we have the happy little letter to Philemon to which to look for insight as well. In that letter, Paul exhorts a friend, one of his own, to manumit the slave Onesimus, and perhaps to let him (Paul) keep him as an assistant. The whole story is only understood, we don't have all the details. But Onesimus apparently did something legal, i.e. go to his master's friend, Paul, to plea with his master for his freedom. While with Paul, Onesimus was converted to Christianity, which put everybody in a bind. So Paul is attempting to persuade (not bully or guilt-trip) his friend into freeing Onesimus as a brother in Christ, thus being able to keep an assistant and save the former slave from punishment, even death.

This is all to say that slaves were a very low form of humanity in these times, lower than servants (The Greek word doulos translates both "slave" and "servant" as well as other meanings in a complicated, often subjective, process.) Servants were trusted household employees, in some cases, almost members of the family; slaves, not so. No Jewish slave would be allowed to wash feet (see footnote to John 13:5 in NABRE.) And in the household narrative of the Last Supper, there were tasks servants would do as part of the meal preparation and service as well as guest hospitality, but the work of washing feet was solely the work of slaves. Paul's famous use of a pre-existing Christian hymn in Philippians uses the word doulos to describe Jesus taking "the form of a slave." Indeed, John sees the humiliation of Jesus in the washing of the feet as a sign pointing both to his humiliating death and to his "descent" from divinity to "pitch his tent among us." Thus there is that "criterion of coherence" that resonates with us who try to imitate the master, and who hear his word from other gospel accounts that "whoever wants to be first among you must be the slave of all," and "the greatest among you must be your servant."

So imagine Peter, getting his feet washed, but having grown up in a world with slaves, and servants, and masters, and probably having some commerce with all. Imagine Peter, in Jesus's inner circle, having given up his fishing business in Galilee and putting his hopes on this itinerant rabbi, who might be the Messiah who would overthrow Rome: what might be in it for him? I'm sure there was danger in the air: maybe Jesus arranged with Judas for the meeting with the Sanhedrin, willing to lay down his life rather than risk a riot during the holiday, who knows? Certainly the parabolic entry into Jerusalem amid the crowd ahead of Passover, and the little dust-up in the Temple would have put the disciples on edge; the secret arrangements for the upper room read like a Cold War setup for an encounter among spies. And now, in that context, at a meal on or near passover, Jesus the master washes their feet, acting for all the world like a slave. Peter has signed on as a disciple, and if the stories are to be believed, had blustered his faithfulness with the best of them. Now the master is acting like a slave. He doesn't even have to verbalize the conclusion, which they all would have seen as he did it:
So when he had washed their feet [and] put his garments back on and reclined at table again, he said to them, “Do you realize what I have done for you?
You call me ‘teacher’ and ‘master,’ and rightly so, for indeed I am.
If I, therefore, the master and teacher, have washed your feet, you ought to wash one another’s feet.
I have given you a model to follow, so that as I have done for you, you should also do.i
Amen, amen, I say to you, no slave is greater than his master nor any messenger greater than the one who sent him.
If the Master does it, the disciple does it. Peter's horror isn't about the humiliation of Jesus: it's about the humiliation of Peter, who has a few more lessons to learn before the end of the narrative. The difficulty of Peter's conversion will be attested throughout Acts of the Apostles, especially when he waffles on the question of circumcision in the inclusion of Gentiles at the Council of Jerusalem. But these lessons serve him well, as he learns to serve at the feet of the master, the Lord who serves as a slave.

Summary: Resurrection is the transformation of our past, a "new song," because God is creating, "doing something new." The risen world in Christ is utterly egalitarian, no male nor female, Jew nor Greek, slave nor free.

The two books about the radical (i.e. "original, real") St. Paul:

The Real Paul: Recovering His Radical Challenge by Bernard Brandon Scott

The First Paul: Reclaiming the Radical Visionary Behind the Church's Conservative Icon, by Marcus Borg and John Dominic Crossan

Monday, May 15, 2017

Rising from the Dead 1: Why Have You Abandoned Me?

(T)hey did not yet understand the Scripture that he had to rise from the dead. (Jn. 20:9)

Well, they're not the only ones, are they? 


These are a few of things that were swirling around my head this year through Holy Week and the beginning of the Easter season. As usual, they're not necessarily original thoughts with me at all, just things that struck me with renewed vigor from previous years, or new ways of seeing old things. Some of them come from articles, or conversations, or even homilies. Because we spent eight weeks this year studying the problem of God's (apparent) violence in the Bible with Dominic Crossan in a video series made available through Living the Questions, some of the issues that Crossan perennially surfaces in his work were especially vivid for me. And of course, the importance of the Emmaus story and other stories of the passion and resurrection of Christ have renewed spiritual power for me because of James Alison's course Jesus, The Forgiving Victim, which we also completed recently with a couple of dozen people in the parish after engaging with it for two years.


But those are just lenses through with these stories are filtered again, new ways of seeing old truths, and my sharing my own insights will necessarily be affected by them like they are about everything else I've learned through the years. So here we go:


1. Why have you abandoned me? In an internet essay for HuffPost called "The Communal Crucifixion of Jesus," John Dominic Crossan explores the connections between the gospel accounts' use of Jewish psalm and prophetic texts and the way they were heard and preached in the early church. What he has done is turned the jewel of hermeneutics on the passion narrative a little bit, and rather than seeing the sayings as fulfillment of prophecies about the specific death of Jesus of Nazareth, he posits that the use of the quotations was to clarify and expand the meaning of the death of Jesus by associating it with the fate of the people of Israel. From their earliest communal memories of slavery in Egypt and Babylonian captivity through their more recent experience of the violence and cruelties suffered under the Greek, Hasmonean, and Roman occupations, the authors of the gospels united their narratives by reference to texts like the servant canticles of Isaiah and the psalms of lament, especially Psalm 22 and Psalm 31. More about this later, when I discuss some thoughts about the Emmaus narrative and the "law and the prophets" role in the apostolic kerygma before and after the fall of Jerusalem in 70 CE.

Crucifixion, condemnation of the innocent, torture, and random violence were the daily bread of the Jews, especially in the years from 4 BCE (around the time Jesus was born) until the destruction of Jerusalem in 70. Given the thousands of crucifixions of "enemies of Caesar" who were part of various uprisings during that period, I imagine most Jews of Judea and Galilee must have had first hand experience of the brutality of Rome. Their situation was desperate. And yet, the "good news" that the apostles and evangelists were risking their own lives to preach was that Jesus, victim of Rome's iron-fisted "justice" system and the collaboration of conflicting interests within Judaism, was not dead but alive, rescued from death by God as some had begun to believe since the time of the Wisdom literature, a couple of centuries. Out of an unswerving faith in God's justice, a new strand of hope for a resurrection of the dead, in this world, arose. If God is just, how could the young martyrs who had stood against Antiochus Epiphanes and other tyrants who desecrated the temple be lost forever in their youth? Surely a just God would not abandon them to death! From such faith rose the apocalypse of Daniel, in which God would clean up the violent mess of the world. Such passages like this in chapter 12, for instance:

Many of those who sleep in the dust of the earth shall awake;
Some to everlasting life, others to reproach and everlasting disgrace.
But those with insight shall shine brightly like the splendor of the firmament,
And those who lead the many to justice shall be like the stars forever...
...as well as passages like the familiar text from Wisdom (chapter 3), read so often at funerals, 
The souls of the righteous are in the hand of God,
and no torment shall touch them.
They seemed, in the view of the foolish, to be dead;
and their passing away was thought an affliction
and their going forth from us, utter destruction.
But they are in peace.
For if to others, indeed, they seem punished,
yet is their hope full of immortality;
Chastised a little, they shall be greatly blessed,
because God tried them and found them worthy of himself.
As gold in the furnace, he proved them,
and as sacrificial offerings he took them to himself.
In the time of their judgment they shall shine
and dart about as sparks through stubble;
They shall judge nations and rule over peoples,
and the LORD shall be their King forever.

We rarely, I think, appreciate what a break this kind of tradition was from other strains of Judaism, which continued in the tradition of the Sadducees who "did not believe in the resurrection." But the pharisaic tradition continued to explore resurrection as a necessary correlation to God's justice, and Jesus was part of the tradition. After his death and resurrection, the church struggled with what the resurrection means for those "left behind," what its meaning is for the earth and its people. Is resurrection about another world, an afterlife? Not in this view, at least, not entirely. It certainly appears that the emphasis both in the preaching of Jesus and that of the church is that it is this world that is created and loved by God, and this world which is to be transformed into God's new heavens and new earth. Those who have suffered the fate of Jesus at the hands of powers that rely on cruelty and violence to gather their way, those who are abandoned, humiliated, tortured, whose flesh is pierced, who are spat upon, degraded, and buried among the forgotten, like Jesus, they will rise again, borne up by the power of a God who is full of life and who has nothing to do with death. The gospel message, then, is "Change the world with love. There is nothing to fear."

We goyim—gentiles cannot fully comprehend the tribal unity of Judaism in the time around the life of Jesus. Connections between family, extended family, and nation were tight; people were able to survive because they were not alone. And there was no distinction between tribe, nation, and faith. Jewish self-identity was rooted not in political history but in their sacred stories and scriptures. The authors of the gospels, some possibly Jewish themselves, converts to Judaism, or "God-fearers," Jewish sympathizers who took to preaching of the apostles about Jesus, knew this, and experienced in the betrayal, torture, and death of Jesus the brutality suffered by their nation at the hands of invading powers forever. They reverenced these connections, the suffering of innocent people beloved by God, by framing the passion narratives in with words and phrases borrowed from scripture and loaded with resonance from their own story. They would do the same with the resurrection narrative. The same psalm (118) that is quoted for the entry into Jerusalem ("Hosanna! Blessed is he who comes in the name of the Lord!") is quoted for the betrayal and death of Jesus (the "stone that the builders rejected") and for his resurrection ("has become the cornerstone. This is God's doing! This is the day the Lord has made!")



Thus for the kerygma of the Apostles and the evangelists, the death and resurrection of Jesus spells the end of a world ruled by violence and despair. God had personally entered into the place of death and shame, and returned a verdict of "Innocent" with the resurrection of Jesus. But the Victim of the crime is the same in life and resurrection: no retribution, no more victimization. The preaching and life of Jesus suggests a new world order of mutual care, healing, and loving resolution of communal problems. The old order would crumble around the tables of Christians who would refuse to participate in the business-as-usual of Caesar's world. God asserts "peace through justice," the world counter-asserts "peace through victory by violence." Now as then, the transformation of earth depends upon the resolve of Christians to believe in life and sharing goods in an economy of divine abundance, or accommodation of an economy of scarcity and fear, driven by an ethic of "might makes right" and survival of the fittest.

The passion narratives, rich with allusions to the suffering of Israel throughout its history, and considered against the rich backdrop of the preaching of the early apostolic community in Acts and the letters of St. Paul, give us a way of hearing this story in our own day. Sanitized from the suffering of most of the world, in many ways ignorant of the depth of human suffering, we may not be able to fathom the humiliation of public execution, the sadistic tearing of flesh, torture devised to prolong the sufferer's agony. But we can still hear the message of the "forgiving victim" who offered a path for transformation of the world in the Sermon on the Mount, in his life of healing and breaking down barriers between people, and in his faith in a God who is head of the household of the world, who wants a loving family, and who desires "mercy and not sacrifice." With his disciples, we can still wonder through this Easter season at the empty tomb, and listen for stories of peoples' encounter with him, risen, conversing about how it might be better to surrender to death than to kill, because "the souls of the just are in the hands of God," and even this:
Because of his affliction
he shall see the light in fullness of days;
through his suffering, my servant shall justify many,
and their guilt he shall bear.
Who'd have thought that even possible?

Summary: Somehow, resurrection is for everyone, it happens in this world, and it happens because God is life and God is just.

Thursday, April 6, 2017

Second Thoughts: With Lincoln (and Lazarus) in the Bardo (A5L)

Note: Second Thoughts is an ongoing if sporadic series of posts on Sunday readings and motifs that occur to me after the liturgical experience. Most of what I do as a blogger, because of how my work is organized, is necessarily prior to the Sunday experience, but as most of us have come to understand, the liturgical event itself often shapes our receiving of the scriptures on a particular day. To see other "Second Thoughts" posts, use the "Labels" function on the right, and select that topic.

I wrote about it a little bit two weeks ago, but now it appears that the novel I was raving about then may be a better metaphor for the life-giving, in-breaking love that is the heart of Easter faith and therefore of conversion and initiation than I said even then. That illuminating novel, and it's a first novel to boot, is Lincoln in the Bardo by George Saunders. Having experienced it as an audio book with a cast of over a hundred characters including Nick Offerman, Megan Mullaly, David Sedaris, Susan Sarandon, and many others, I had been dying to talk to someone else about it for weeks. Terry did finally get a chance to read it and she thought as I do that it's a deep and beautiful book on many levels. Without overstating the religious resonances, there is much to contemplate with regard to ultimate things in life: transcendence, what matters to us, how we relate to each other as human beings, how we deny death and put too much of our energy into things that don't matter, how understanding and mutuality help us break out of those patterns.

I don't mean to give a review or summary of the book here, but there are interesting parallels between what goes in the bardo in Saunders' novel and in our lives interpreted by the Lazarus story in the fourth gospel. For my purposes (and Saunders has taken liberties, by his own admission, with the concept from Tibetan Buddhism in applying the scenario to his novel), the bardo is a place of shadowy life between death and whatever is beyond death, a place which appears to be very much like the surroundings in "real life," but devoid of color and reason. Souls of the dead are circumscribed and defined by unfinished business from their former lives, seem doomed to repeat decisions and actions from their lives, and are encumbered by "physical" transformations of their bodies corresponding to their issues as well: extra eyes, legs, and arms, for instance, and in once particularly prominent case, one character has an oversized, tumescent penis.

But the really strange thing about the bardo is that the inhabitants are unaware that they are dead, and as they accustom to their environs and begin to suspect that all is not right, they enter into a complex denial of their reality and not only won't admit their situation but have an elaborate vocabulary of circumlocution.

Enter into this alternate reality, in February of 1862, the tiny, kindly soul of the innocent Willy Lincoln, who has succumbed to typhoid in the White House, a second child lost in the house of Lincoln. His death completely unhinges his mother, and father Abraham is distraught and inconsolable at a time when he is barely able to clear his head about the weighty problems of the intensifying Civil War. The historical record, which is cited in long chapters of excerpts from contemporary letters and memoirs, indicates that the President went to the rented crypt that housed Willy's body at night to visit with the corpse of his son. It's this event that provides the crisis and forward motion for the occupants of the bardo.

These souls are trapped in the world of their own unreality, unable to see or admit that they are dead, and unwilling to let go of the illusion of the appearance of "life" that they have, lest they lose the illusion of hope that they can reverse some wrong or achieve some goal left unaccomplished. Driven primarily by necessarily selfish preoccupation and trying to put the best face on their situation, even episodes of anger, lust, and murder amount to epiphanies of ennui, to be repeated over and over without change of outcome. Occasionally one or more inhabitants of the bardo will move into another (higher?) plane of being in a flash of light and sound. We're never really sure where they've gone to, but my probably prejudiced feeling is that the beings who sometimes come among them as "angels" are indeed moving them by persuasion toward greater light by encouraging them to imagine themselves forgiven and offered the resolution of their past problems.

Lincoln's entry into the graveyard and the crypt that houses Willy, the exposure of the souls to Willy's confusion and wonder and Lincoln's unabashed grief, along with the bardo inhabitants' previous experience of children's souls (like a memory of compassion) moves some to action. Let me just say that in trying to help the elder Lincoln let go of his grief and leave the cemetery the souls within go to great lengths to achieve their goal, including the occupation of the same space, getting "inside" each other and eventually "inside" Abraham Lincoln, and in doing so achieve new compassion and insight unavailable to them before.

What all this has to do with Lazarus and Jesus may not be clear to you. In fact, it's not crystal clear to me. Lazarus needs help. He's dead. He seems beyond help, though probably not to himself. The occupants of the bardo need help too, they're unaware that they're dead, and unable to progress beyond that unfulfilling stasis between actual life and some kind of afterlife. They need someone to break their silence, tell them to stop pretending that they're alive, and admit their real problem: death. It is Willy who is finally able to break through to the largest number of them, and that because of their intervention with Lincoln.

We all lie to ourselves and each other about our participation in death. We think of ourselves as alive, but our life is really a house built on the suffering of others. We cooperate with death in ways of which we aren't even aware; we've built structures of empire and security that depend on the exploitation and subjugation of others. Somebody has to tell us that we're dead, or we're just going to stay where we are, repeating the patterns of our counterfeit lives, and reinforcing the unjust structures that entomb the poor and marginalized.

Scripture scholar Dominic Crossan's description of the economy of "salvation," or how things get "fixed up" in the end, is "collaborative eschatology." It's as though, he says, we have sat around for four thousand years waiting for God to make justice happen in the world, and at the same time, God is waiting for us. He repeats Archbishop Desmond Tutu's adage that "Without God, we can't. Without us, God won't." God in Jesus has stood at the door of the tomb where the world insists on living and called us to come out. The least God expects us to do, the easy part, it ought to be, is to untie the burial cloths. Christ has done the heavy lifting. It's our job to roll away the stone, and let people go free. If we're unwilling to do that, we're still trapped by death.

Prophesy to the bones! Prophesy to the breath!

That is the urgent invitation God makes to Ezekiel, paralyzed with grief, fear, unknowing, and self-doubt upon the desolate desert plain of Har-megiddo, surrounded by the sun-dried bones of King Josiah and all of his fine young warriors. All Ezekiel has to do is open his mouth, and tell the bones that God can do it. Just that little bit of the prophet's breath would set in motion the possibility of a people's restoration.

I will open your graves, and have you rise from them. 

Amid the worst that life can do, the lies, the brutality, the broken promises, the unfulfilled hopes, amid the missiles, the sarin gas, the drone strikes, the closed borders, the deportations, amid the decapitations in foreign lands, the neglect, abandonment, and ultimately executions of the mentally disabled in this one, amid the eyes-averted from famine and genocide, and the preferential option for capital, there is still power in us to tell the truth, to 'prophesy to the bones,' and to hear the splatter and crunch of bones, sinew, blood, and breath as what was dead comes to unimagined life. It seems we need to be forced to look upon the death that our perfidy has caused, even if the spirit needs to carry us by the hair to the battlefield, hospital, or detention center and command us to look at it.

I have spoken, and I will do it! Oracle of G-d.

The ache and rigor of life, the unrelenting taskmaster of conscience when the heart is opened to the agony of the world, the paralysis and inertia of our (my) disconnectedness and alienation from any vision of a non-violent way forward, really forward-together, out of the desert of political impotence, all of this is the colorless bardo in which we wander, I wander, in a dreamy pretense of life that is nothing but a grave. How can I hear, and really, just as important, how can I become the echo of that voice that bellowed out of a roiling gut of lamentation, angry, untouchable, and fearless in the homeland of ruin, despair, and putrefaction:

LAZARUS! Come out!

Believe it or not, that's what the community of the baptized, gathered by the Spirit, the "breath" of God in the name of the deathless Jesus and the God of life, is called to do, to be. Baptismal water drowns the death of isolation and alienation and wakens to the life of a community for others. Is it any wonder we have Lent every year to get ready to renew the promises of baptism, to reject sin and believe the gospel of Christ? Is it any wonder that those who are called to approach those sacraments for the first time apprentice as Christians for months or years, and ultimately undergo three scrutinies for the purpose of purification (rejection of unrecognized or habitual evil) and enlightenment (the truth about ourselves and the gifts we have been given that strengthens us in the love needed to give ourselves away for others)?

Lincoln in the Bardo might need to become a go-to text for adult Lenten discernment, a kind of literary examination of conscience, a metaphor and maybe even an allegory for our spiritual lives, by which I mean an inventory of what is within us that activates and motivates what we do in the world. Those three classic gospels from John do their awesome work, particularly with good preaching, but for me, at least, Saunders' novel picked me up by the hair and set me down in front of a mirror, surrounded by the dry bones of the fine young armies of my heart, to use Leonard Cohen's unapproachably perfect phrase, "torn by what I've done and can't undo." For me this Lent, Leonard, and Ezekiel, and Saunders' Lincoln have been both Inquisitor and Paraclete.

Thanks, Art. I needed that.