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Showing posts with label Amateurs Only. Show all posts
Showing posts with label Amateurs Only. Show all posts

Thursday, October 9, 2014

TBT - An Unbegun Book, Chapter 1: Pastoral Musician and Disciple (1992)

I will praise the Lord all my life,
Make music to my God while I live. (Psalm 146)

I am forty years old, and I don't know anything. My car is a mystery to me. The simplest tasks of putting nails into boards or attaching wire A to post B make me sweat nervously. In the matter of human relationships, I have played a guessing-game for as long as I can remember, and have not been above cheating. It is a wonder that I have any friends at all, or that my family has survived knowing me. For eight years I was a travel agent, directing people to cities and airports and hotels to which I had never been, sharpening my skills as a poseur with crafty telephone bravado that made me modestly successful at my work.

What I know the least about is God. And yet my life's work (I have now been longer at my parish in Phoenix than at any other consistent work since grammar school) has been in a service of trying to enable thousands of good people with lives, I surmise, far more honest than my own, to experience the touch of the Holy One through the experience of communal worship.

Many of these people, as far as I can tell, have had much more intimate experiences of God's presence than I have. This arouses in me not jealousy, but curiosity. Some of these people cannot describe moments and days of their lives without tears of joy and gratitude. Many are able to describe moments of knowing God's presence with no doubt in their hearts at all. To me, these heart-held truths are a wonder. My friends at St. Jerome's are describing to me a land to which I have never been, or been invited. And yet, they accept me, and expect me to continue in my work among them. Another mystery.

I have come to suspect that my ministry, and perhaps therefore yours, is valid not because I have been somewhere, but because I sense that we are all going somewhere together. Furthermore, it seems to me that there is a sense that what we all do together especially on Sunday is something that we need each other for: I need the gift of their faith, they need the gift of my music. And what we need each other for is not what we do on Sunday so much as what it stands for: the continuing search for meaning in the turmoil of life, for signs of God's presence, and for the courage to be healing, forgiving, reconciling disciples of Jesus of Nazareth.

Being a disciple means following in the footsteps of a teacher, and for disciples of Jesus it invariably means following in those footsteps together. Discipleship, like my ministry as I have begun to understand it, is less a matter of being something than of going somewhere, of doing a discipline. The teaching of Jesus is not that we must experience God's presence in our lives, for that presence is never anything but God's gift. It comes to us in God's time and in God's ways. The teaching of Jesus is rather that we must behave or act as though we were living in that presence at all times and with all other persons. Jesus called that presence the reign of God or the kingdom. His Jewish heritage describes its relationships as justice, that is, the way that creation (including people) acts when God is around. Those who have followed, from the very beginning, knew that the only way to hold to the teaching of Jesus was to hold to it together, and so they met around each others tables and told the stories that kept him faithful, and they told stories about him.

Christian liturgy is the discipline of acting out the relationships of the reign of God as proclaimed by Jesus and understood by the apostles, the first disciples. Christian liturgy presumes relationships of equality but not identity, unity but not uniformity, diversity and harmony. It presumes the acknowledgment of those present that God is God, and that we are not. It assumes that we are all aware both of our chosen patterns of darkness and those which are our inheritance from our equally imperfect ancestors, and it further assumes that that sin will not have the last word. Our worship assumes that God is not hidden but is jubilantly, even scandalously self-revealing, a betrothed spouse who can hardly wait to consummate the marriage. Our worship makes us aware, week by week, year by year, that God is not a concept to learn or a set of equations that can be memorized, but is reachable through repeated, metaphorical actions using the most ordinary of human things. God is something like bread and wine shared at a table; God is something like being drowned, or bathed, in water, and being rubbed with scented oil; God is like stripping naked and putting on new clothes. God is something like an embrace, a kiss, a vow, or gathering around a sick person with song and prayer and oil. God is to be found in the very urge to assemble, to sing together, to repeat the stories of Jesus, to serve one another with gifts that come from we know not where. And certainly God is like scattering again to be a word of hope and forgiveness, and a bite of bread, to everyone in need of that good news.

In liturgy, we practice being the people whom God has called us to be. The real living of it will come in our homes, at work, in school, while raising our children and voting and being of the political, economic, and social relationships that make up our lives. But the rehearsal is extremely important. It keeps us true to the path of Jesus, and helps us to look with honesty at our patterns of behavior. In learning to be a thankful people we learn to be better stewards. In welcoming each others presence and reverencing strangers, we discover our radical equalizing unity in Christ and, a priori, in creation. I begin to love not only my neighbor as myself, but I begin to see my enemy as my neighbor, and the great-grandchildren of my enemy as the neighbor of my own descendants. The earth herself becomes more precious to me, for we were forged with the same fire, we are made of the same stuff, and all her creatures breathe with the same breath, the same holy Wind, the very Spirit of God. Ritual behavior keeps us true to these course-correcting insights.

We do not tolerate, for instance, places of honor in our liturgical assemblies for the rich or the powerful. No presiding presbyter may extemporize greetings: the ritual relationship requires that we meet as equals, so that communal responses may not be jeopardized by even well-intentioned spurts of spontaneity. "In the name of the Father, and of the Son, and of the Holy Spirit" has a place in our memory and a special rhythm to it to which even small children respond,"Amen." As a prayer, it may need revision based upon the just critique of feminist theology, but it must be revised by the Church, not by an individual, and certainly not first thing Sunday morning! In our gatherings, we all share one cup and one bread (although for most of our churches, this is a charitable euphemism), no one gets more than anyone else. We listen to the word of God and not, for instance, to the latest spiritual tome by this or that writer (although many of us tried that one in the late sixties as well.)

What are the repercussions of this for the pastoral liturgist and musician? First of all, we ourselves need to be disciples, which means not that we have arrived anywhere but that we are one the road, together, following in the footsteps of Jesus. This means we ourselves must be people of the word. We need to study the scripture, and that means reading books about the scripture, and taking classes, as well as knowing the lectionary and its principles. It means reading a gospel, for instance, and not just the fragments we get Sunday to Sunday through the year. And of course, it means being part of a community's life, and living a lifestyle that is oriented toward love, reconciliation, and healing.

A second repercussion is that we have to know the liturgy, and take its demands seriously. It is important to realize the liturgy's value relative to the rest of the community's life, and to make it a servant of the community's needs. It is always painfully obvious when a community's worship is out of touch with its real life. The singing is lackluster, maybe co-opted by professionals alone, responses are perfunctory, attention is lacking, and people leave early. But good celebrations nurture and strengthen faith. The events of people's lives, the economy, the state of war or peace, the condition of the neighborhood, the struggle to live in wholesome relationships, all of these matters must not be ignored by the liturgy. When the liturgy's power is taken seriously, when rite and preaching and music and prayer confront and embrace the world of real experience, we have the sign of a transforming community of conversion. But when there is fire in a community, there is certainly going to be heat, and such a parish may find often find itself in intense self-evaluation, as well as finding itself occasionally out of step with the local powers in order to stay in step with the gospel. Parishes which have opened the doors to women in their ministries, particularly serving at the altar and preaching, will know the pain of which I have spoken.

Being a disciple and a minister means, then, following Jesus through the discipline of the scriptures, respecting the traditions that are delivered to us in the sacred liturgy and enculturating them for the people among whom we minister. Therefore, we must be an active part of that community's life. We share with the rest of the pastoral team the role of transforming our parish, including ourselves, into a more obvious sign that the reign of God is at hand. That means calling forth peoples gifts and empowering them to use those gifts for service of one another, both inside and outside of the liturgical assembly. Ultimately, our destiny is to take our gospel daily to the streets, to invite in all who have been pushed to the outside by whoever or whatever is stronger, and bring them to the wedding feast of the Lamb. Our task is to empower the community to be its best self which is a self for others; to be, in fact, Christ.

The above was written as the opening chapter of an "unbegun book," Amateurs Only Need Apply, in 1992.

Thursday, February 13, 2014

Unbegun book III - the first 25 years

It may well be that someone has already done this better, but this is another page from my "unwritten book" about my life in liturgical music, which was to be titled Amateurs Only Need Apply. I wanted to draw the major lines of world and music history (as I experienced it, of course, therefore in a narrow sense) and developments in the church and in US church music from The Constitution on Sacred Liturgy to twenty-five years forward. 

Clearly, this is a personal point of view! What would you add to the right-hand column? In the book, I might have added a third column tracing the origins of my own songwriting for liturgy, things like:


  • 1962-65 - sang in boys choir at St Vincent de Paul School, chant, and 2-3 part motets from St. Gregory and other hymnals.
  • 1965-69 sang in seminary choir, masses in English and Latin by John Lee, Noel Goemanne and others. Also, sang "And I Love Him" to the tune of the Lennon/McCartney "And I Love Her" at daily mass.
  • 1969 or 70 - first heard and sang "I Am the Bread of Life" at a funeral at St. John's Seminary in Camarillo.
  • 1971 - wrote "Psalm 40: Here I Am," published 20 years later by NALR. Also, wrote church lyrics to the Carpenters' song, "Crescent Noon," entitled "Parade."
  • c 1980 - wrote "Yours Today" and "Change Our Hearts", met Paul Quinlan at NALR
  • 1981 - met Tom Kendzia in Phoenix, directed NPM showcase presentation of "Light of the World"
  • 1984 - began recording first album, "You Alone," at NALR studios in Phoenix
  • 1985 - met Gary Daigle in class with John Gallen, SJ, at Corpus Christi Center in Phoenix
  • ....etc. etc.


But what significant musical discoveries and events do you think belong in the second column? 

         The first 25 years…a bit of a timeline

YEAR
WORLD EVENTS
LITURGY AND MUSIC

1963
John XXIII dies; Paul VI elected; Nov22, JFK assassinated
Dec 8 Sacrosanctum Consilium issued
1964
Beatles on Ed Sullivan; Tonkin Gulf incident
Biblical Hymns and Psalms Lucien Deiss (WLSM)
1965
Sound of Music wins Best Picture Oscar.

1966

 FEL's Hymnal for Young Christians
1967
Woodstock, Hair opens on Broadway, Sgt. Pepper’s Lonely Heart’s Club Band;  massacre at Son My and My Lai
Sebastian Temple writes "Prayer of St. Francis"
1968
Tet offensive; Civil Rights Act, Chicago Demo. Convention,Martin Luther King and RFK assassinated; Nixon elected

1969

WLSM's Young People's Folk Hymnal
1970
Jesus Christ Superstar is born as  studio rock opera; National Guard kills 4 at Kent State U.
NALR born in Cincinnati; "A Community Mass," by Richard Proulx (GIA)
1971
Godspell opens off Broadway, popularizing “Day by Day;” “Morning Has Broken” by Cat Stevens; Bernstein’s Mass premieres at the Lincoln Center dedication
“I Am the Bread of Life”by Suzanne Toolan, S.M.
1972
Nixon reelected
"Mass of the Bells" Peloquin, GIA;
1973
Watergate; Agnew resigns
Music in Catholic Worship published, Roman Missal promulgated in English
1974
Nixon resigns

1975
Fall of Saigon
Earthen Vessels St Louis Jesuits (NALR); Worship II (GIA)
1976
US Bicentennial celebration; riots in Soweto
Eucharistic Congress in Philadelphia, “Gift of Finest Wheat”; National Association of Pastoral Musicians (NPM) is founded
1977
Death of Elvis; Star Wars, the movie, not the SDI;
Glory and Praise Volume 1 released (1977)
1978
Paul VI and John Paul 1 die, John Paul II elected; Sadat, Begin, and Carter reach the Camp David accords
First NPM Convention, Scranton PA; Conry releases Ashes with NALR; Remember Your Love by Dameans (NALR)
1979
USSR invades Afghanistan; Iranian students invade  US embassy in Tehran, take hostages
JM Joncas's On Eagle's Wings (NALR)
1980
Hostage rescue fails; Ronald Reagan elected; John Lennon murdered
With Open Hands by Marty Haugen (PAA)
1981
Attempted assassinations  of President Reagan and Pope John Paul II; AIDS conclusively identified

1982


1983
US invasion of Grenada; Lech Walesa wins Nobel Peace Prize
Liturgical Music Today published; Psalms for the Church Year Vol. 1 (Haugen-Haas, GIA)
1984

Mass  of Creation Haugen (GIA)
1985

Order of Christian Initiation (RCIA) official;
1986
Marcos flees Philippines, Aquino becomes president;
Worship [3rd Edition] (GIA)
1987
Les Miserables opens in NY

1988
Iraq uses chemical weapons against Iran; George Bush elected; PanAm 103 destroyed over Lockerbie, Scotland
GIA introduces Gather contemporary hymnal

Tuesday, February 12, 2013

Why liturgical song matters: a fiction


One of the lesser southern kings is about to ascend the throne in Jerusalem. His father was no great shakes. Higher taxes. Conscription into civil service. The entertaining of foreign regents and ambassadors, with the attendant syncretism and assimilation of their talismans and demigods. Now the young offspring is about to ascend the throne. Showing no more imagination, fidelity, or promise than his late father, he is about to be legitimized by the Temple priesthood as the agent of the Lord in Judah. Rumors certainly abound about the disappearance of some of the non-guild prophets, and word has gone out from the military that dissent from the current policy of accommodation would be looked upon harshly.
Just your luck. Your number is drawn to lead the gathered assembly in the key psalm of the coronation rite, and the words that were written on your heart as an apprentice in the Temple rise up in you as you face the throng amid the clamor and the haze of incense and burning offerings:

God, give this king your own judgment,
Your justice bestow on this prince.
Let him govern your people with justice
The afflicted ones with honor.
Claire proclaiming the psalm, once upon a time...
From your heart, the chanted words bubble up into your throat, imbued with hope and intention. The ancient memories stir. The people gathered in front of you were snatched by the hand of Adonai, torn from Pharaoh's grasp, in the Exodus. God is their true monarch. This one must be like God. It is your task to remind him that it is God’s power that brought him to this day, God whose power sustains the family line, and who alone rules the hostile gods of the surrounding superpowers. Your voice gathers strength from memory. No, it is no longer your voice, but the voice of Jacob, possessed and made righteous by the covenant gift of the Holy One, and your nation’s fidelity to Torah: You are emboldened to take the court into your glance. While the guard stirs suspiciously, you catch the eye of the one who pretends to the throne of Grace:
Yes, may justice flower while he rules,
Your own peace as long as he lives....
May he rescue the poor when they cry out
May he hear the cries of those with no champion…
Then, his name will be blessed forever,
Remembered as long as the sun shines.
Trembling with the unforeseen power of the moment, you leave the place assigned the cantor while the throng sways with chants of ‘Amen.’ The word of God is alive in the room. The king and his wife look at the inlaid floor. The guild prophets are nearby, chanting gibberish that could be alleluias. The captain of the guard is memorizing your face.
•••••

So, friends. Do you feel like a hypocrite when you sing the psalm? Does it seem, as you read scripture, that God has been reading your email, and is listening to you speak or sing the word? Wonder what business we have proclaiming it? 


Start here: it's God’s word, not ours. And God's spirit filled us in baptism, confirmation, and at every Eucharist to do this task: not just to speak the Word, but to be the living Word of God. It is a fire burning in us that will raze the world so that it can be rebuilt anew in Christ. We might shy away from explicitly prophetic texts, for fear of being branded ‘hypocrites.’ Worse, we might imagine, if don’t adequately prepare ourselves, that these texts are historical documents and not ritual ones, and that the scriptural demands placed upon the leaders of Israel and Juda are not applicable to the demands that God puts upon presidents, chairpersons of the board, principals, popes and bishops and pastors, senators, governors, and parents.

Integrity, the gift of being made a worthy instrument, 
living the word we sing, is what we seek. It's why we have Lent, it's why we have Eucharist, scripture, personal prayer, and retreats. God is writing the Word on the heart of us as we sing it. God's word shapes us into Christ as we proclaim it. Political and economic activism, as well as pushing for justice within the community, inevitably follow. I see it in my community all the time. We're at the beginning of something: we need to be faithful. And patient. It is, after all, God's mission, not ours. The words we sing change us.

Monday, February 4, 2013

Acknowledging Impostor's Syndrome

Today (February 1, the day I am writing) is my 19th anniversary as director of music at St Anne Catholic Community in Barrington, Illinois. Not patting myself on the back much, though, because several colleagues at the Composer's Forum this week had even longer residencies than mine, a couple over 30 years in the same place. That's amazing. But it got me to thinking about the wonder of how I got into this work.

I use the word "wonder" with some intention, because I was relating to some of those colleagues at the Forum the story of my finally landing my first full-time job in music and liturgy at St. Jerome Church in Phoenix, back in (gulp) 1983. I was a travel agent then, having started as a filing clerk and worked my way up through the ranks to be a manager. On Holy Thursday, one of the veeps called me into his office, gave me two months severance, and told me to empty my desk, thank you very much, and don't come in on Monday. I was on my way to direct the cathedral choir in Phoenix for the first of the Triduum liturgies when this happened. I had two children and one on the way, and no job. And though I had been trying for a year to land a job in church music, nothing had been available. Two weeks later, I got a call from Daniel (now, Fr. Cyprian) Consiglio at St. Jerome's, telling me that he and (then, Fr.) Dale Fushek were both leaving St. Jerome, and would I consider taking the job he had? On June 1 of that year, I started at St Jerome, a job I kept for over ten years. That's how I got into this work. So, yes, it is kind of a "wonder," and a good paschal mystery story too.

I remember a conversation I had some time ago with a dear old friend, Stephen Storc. I mean, he's not old, because he's my age, but we go back all the way to the late sixties. Steve was a classmate of my brother-in-law, Gary Palmatier, at St. Vincent Seminary in Montebello, CA, where we all attended high school. Steve was already an accomplished pianist, or seemed to me to be one, when we were in school, but he went on to get a degree in musical performance in the UC system, worked for a while as personal assistant to Aaron Spelling, and eventually came to operate a small but critically successful repertory theater in Escondido. Steve has continued to be a great friend through the years, and directed the first professional performances of my musical Lost and Found at the 1989 convention of the National Association of Pastoral Musicians in Long Beach, California. Later, he produced the show again at his theater, where it was also resurrected last year by their youth theater. He's always willing to take a chance on a dark horse, especially if the dark horse is a friend.

I remembered the two of us discussing the nagging feeling that we weren't good enough at what we do, or has he put it, "would 'they' think that what I've done is good?" Now, Steve is a guy who has paid his dues and done the academic work to pursue and achieve his goals. He settled into making a living at something he loved to do, and managed to make a life at it. He certainly made more money doing work that he enjoyed less, and made a choice to do what he loves.

But there are still those nagging voices. Is it just that we're getting to a certain age where we start questioning the direction our lives have taken, no matter where they've taken us? In my less lucid moments, or those less enlightened by my faith, I have similar feelings. How on earth did I get here? How did I end up being a moderately successful writer of liturgical songs and leader of worship at two churches over the last thirty years, and without much in the way of professional credentials to boot? I don't have a degree in music or liturgy. It's not that I don't know anything about them, or that I don't study them, but I don't have the sort of thing that certain kinds of people look for to validate someone's authority in an area.

Still, I have sensed the hand of God guiding me down this path for almost as long as I can remember. Before I could ever write a song or create a poem, I had a sense that I was being made ready for it. When things started falling into place in the early 1970s inside of me, it was like machinery had been being built within to do the work I was being called to do, almost without my knowing it, and it started operating on its own. Even the ability to survive the harsh and often well-deserved criticism of those early years was part of my make-up. Having a community around to help me discern my gifts and calling was vitally necessary, and was already in place. And none of this was my own doing. I have to say that now, and I am glad to say it. Anything good that I have ever done has been God working through me for the good of the Church and ultimately of the cosmos. Anything scandalous or off the mark in any way has been a result of my own sinfulness, laziness, or lack of cooperation with grace.

I know that I have no claim on this charism: it is completely gift from God, it is not for me, it is for the world. I have to do my best to stay out of my own way. Charism is always both in harmony and in tension with other authority. Because God's Spirit blows where she will, charism does not always fall on those with office or education or even natural ability. Moses was a stutterer. Jeremiah was too young. Amos was a farmer. Sometimes, you just have to do what's burning up inside of you, no matter the consequences, the criticism, or your own self doubt. "Impostor's syndrome" goes with the territory, but it seems to be a kind of faith-test. Is it possible to believe that God, who can do anything, can do anything with me? That's what it comes down to.

About 20 years ago, I intended to write a book, which I started and of which I never got past the start. It touched on some of these issues in the introduction and first chapter. Tentatively titled Amateurs Only Need Apply, it was a call for people to do the work of preparing worship in the church because they love Christ, the Church, and her worship. I'd like to finish today's blog post with a couple of paragraphs from the introduction which are appropriate here.


I'm gonna sing when the Spirit says "Sing"... I'm gonna obey the Spirit of the Lord. (from an African-American Spiritual)
Pastoral ministry is like a fever. It is, in the words of Jeremiah, "a burning fire shut up in my bones." We who do it shake our heads after five or ten or twenty years at it, and wonder where the desire has come from which allowed us to survive the rarified atmospheres and smothering valleys of human interaction, the pettiness and subterfuge of some our leaders, the dull heroism of the fidelity of others, the vast wastelands of the spiritual journey with its voices that taunt us, "nada, y nada, y pues nada."
And yet, we can no more not do this work than a bird can stop singing, or the sea stop its charge to the shore. Like them, we are moved to song and action by the Spirit of God. We can no more escape the call than Jonah could. Jumping ship, we are engorged by the holy leviathan and vomited back onto the shores of duty with the aggrieved sense that this is God's idea of an invitation, an offer which, if we know what's good for us, we can’t refuse. I have been at the work of liturgical and musical ministry for over thirty years now. I have to admit that I love my work. Yes, it can be dull and frustrating. Yes, I have been wounded and yes, I have wounded others, firing defensive and paranoid salvos of poisoned arrows in the direction of some who have held variant opinions over the years. In time, I may yet find some echo of the Teacher in my own actions. When I do, I know it will be amazing grace at work.
I want to be a Christian. I dream of being an apostle. I am settled on being a disciple. An amateur. The word amateur gets a bum rap these days, probably thanks to the Gong Show, Simon Cowell, and perhaps George Bernard Shaw, who has probably been surprised to discover that it is heaven, and not that other place of eternal lodging, which is full of musical amateurs.

Because in its original sense, an amateur is a lover. An amateur is an enthusiast, and at the heart of enthusiasm is theos --God. This book is for liturgical and musical amateurs in the sense that the Olympics is for the Amateur Athletic Union. It is a book for amateurs who do the work, who practice, who study, who have a passion for this calling of ours. It is for amateurs without credentials, and amateurs with Ph.D.s. It is a book for lovers of the church--of people, of the liturgy and its music. So, I guess I'll keep doing what I'm doing, and I certainly encourage you to do the same. Do what's in your heart, discern with your community, and live in gratitude for being an instrument in the hand of God as we listen to the call to keep turning away from sin to believe in the gospel. Obey the Holy Spirit, and do your work to serve the liturgy of the church. As Austin Fleming has told us, through our ministry, even us amateurs, God is saving his people.